Luckily for me days of owning 10+ years, old DSLRs are over but still, sometimes even the R5 needs a bit of help. While this is somewhat true when it comes to some landscape photography but when you are in Graz, Austria in a dive bar that lights up the stage with a single red Chinese lampion with a 3W bulb inside it, where you can hardly see anything on stage even with your bare eye and your camera’s max ISO is 3200 (full of grain of course), your f is at 2.8 and you are shooting a metalcore show where anything below 1/320 is just a blurry fuzzball you quickly realize that that is just a BS sentence told to you by people that never worked in a bad environment in their life. The only people saying “it doesn’t matter what camera you have it’s about the person shooting” are the ones that have a new Canon R5 (input a Sony or Nikon equivalent here) in their other hands while explaining this to you. I’d like to point out that this post IS NOT sponsored by any of the software manufacturers mentioned in this post ( Topaz this is a hint for you :)).įirst, let’s get something straight. So this is when I decided to try some of the newest AI-powered denoise software. ![]() This is not a thing only in Slovenia but people with over 20 years of experience had to find new employment in Austria, Hungary, Italy, and all the surrounding countries.īad light = not technically perfect shots. Most of the Slovenian entertainment experts (light and sound techs, etc) moved to different branches of the industry or just left the industry completely, resulting in more and more bad lights at concerts. ![]() ![]() In the last few years thanks to Canon Slovenija and Foto Format most of my tech needs were covered by them, thus allowing me to get my hands on the latest stuff Canon has to offer. I often get annoyed if the focus is not exactly where it needs to be if there is motion blur etc. So after well over 10 years of concert photography, it’s been pointed out that I am what you call a “tech guy”.
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